"The perfect summer show."
In July 2004, the ISC presented one of Shakespeare's craziest comedies at the Ithaca Farmers' Market and on the Commons, in addition to our usual site at Cornell Plantations. Audiences braved the coldest and rainiest July on record to enjoy the wild antics of Sir John Falstaff and the citizens of Windsor.
There is a famous story about the origin of this play: Queen Elizabeth was allegedly so delighted with Falstaff's antics in the two parts of Henry IV that she ordered Shakespeare to write another play with Falstaff in it, one that would show "Sir John in love." What Shakespeare delivered is not Sir John in love but Sir John in lust - and greed - which is much, much better.
Although this play is usually just referred to as The Merry Wives of Windsor, the ISC chose to use the original title from the play's first publication in 1602, because it reminds us that Falstaff is at the center of this play: a larger-than-life figure in every sense, so full of wit and vitality, so completely irrepressible, that the fact that he is defeated and humiliated in this play - several times - scarcely seems to matter. He tells the stories of his defeats with so much gusto and imagination that they almost seem to become shining examples of adversity endured and overcome.
"So clear and compelling."
Falstaff is surrounded here, though, by one of the greatest comic ensembles in any of Shakespeare's plays. If anyone doubts this, just listen to the way these people talk: each one of them has a completely individual way of using - or more often, misusing - the English language.
"The cast was amazing."
As always in Shakespeare, this play refuses to restrict itself to only one level, tone, or mood. It touches on more serious matters - in the marital relationship of the Fords and the ritualistic scapegoating of Falstaff at the end, for example - as well as on farce, satire, and romantic comedy. But in the end, the sheer energy and vitality of the characters seem to overwhelm all other considerations. This play is more than anything a celebration - of laughter and language, of community and marriage, and above all of the astonishing variety of human quirkiness.
This show was produced in association with Black Umbrella company.
|Sir John Falstaff||Daniel J. Kiely|
|Frank Ford||Laurence Drozd*|
|Mistress Ford||Carolyn Lee|
|George Page||Robert J. De Luca|
|Mistress Page||Deborah Duncan|
|Anne Page, their daughter||Megan Shea|
|Justice Shallow||Dave Dietrich|
|Abraham Slender, his nephew||Abel McSurely Bradshaw|
|Peter Simple, Slender's servant||Betsy Cowdery (Jul 9-18)|
Megan Shea (July 29-31)
|The Host of the Garter Inn||Travis Atkinson|
|Doctor Caius, a French physician||David L. Romm|
|Mistress Quickly, his housekeeper||Melanie Uhlir|
|John Rugby, Caius' servant||Avery Schuyler Edmunds|
|Sir Hugh Evans, a Welsh parson||Robert Brazil|
|Bardolph||Avery Schuyler Edmunds|
|Robin, Falstaff's page||Abel McSurely Bradshaw|
|Stage Manager||Melissa Thompson|
|Costume Designer||Lauren Cowdery|
|Graphic design/Web||Melanie Uhlir|
"Bring Us Good Ale" is an English folk song dating from around 1460. Pre- and post-show music by Alexa Raine-Wright (baroque flute and recorder).
This production was sponsored by:
Thanks for your support!
Melanie and Dave D. for all their hard work and logistical support; Lauren for her wonderful costumes; Tanya Grove, David Feldshuh, and Bruce Levitt in the Cornell Theatre department; Don Rakow at Cornell Plantations; Pamela Lafayette and the Cornell Council for the Arts and Robin Schwartz and the Community Arts Partnership; Moosewood Restaurant, Ithaca Bakery, and Alternatives Federal Credit Union for financial assistance; Jason Keagle at Gnomon Copy.
* actors shown with an asterisk after their name appear courtesy of the Actor's Equity Association.
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